Munich, St. Margaret
Pfarrkirche St. Margaret in Munich, Germany
Keyboards
3+P
Stops
78
Built by
Nenninger & Moser, Schwenk, Klais (1915)
Estimated release date: May 2026
HauptwerkGroßprincipal 32′ 1
Principal 16′
Violon 16′ 2
Gedeckt 16′
Principal major 8′
Principal minor 8′
Gamba 8′
Holzflöte 8′
Bourdon 8′
Octav 4′
Rohrflöte 4′
Flauto Margarethae 4′
Quinte 2 2/3′
Superoktav 2′
Kornettmixtur IV 4′
Mixtur major IV 2′
Mixtur minor IV 1 1/3′
Trombone 16′
Tromba 8′
Tromba Clarion 4′

Sub I–I
Super I-I
II—I
III-I
Sub II-I
Super II-I
Sub III-I
Super III-I
Ped-I
Aequal ab
Aux-I
PositivGeigenprincipal 8′
Harmonieflöte 8′
Lieblich Gedeckt 8′
Viola 8′
Unda maris 8′
Principalino 4′
Quintade 4′
Nachthorn 4′
Gemshornquinte 2 2/3′
Blockflöte 2′
Harmonia aetheria IV 2 2/3′
Clarinette 8′

Tremolo

Sub II-II
Super II-II
III-II
Sub III-II
Super III-II
Aequal ab
Aux-II
SchwellwerkQuintatön 16′
Contra Gamba 16′ 3
Hornprincipal 8′
Viola di Gamba 8′
Dulzgedackt 8′
Spitzflöte 8′
Salicional 8′
Vox coelestis 8′
Principal 4′
Violine 4′
Traversflöte 4′
Nasart 2 2/3′
Piccolo 2′
Terz 1 3/5′
Septime 1 1/7′
Mixtur IV 2 2/3′
Fagott 16′
Trompete 8′
Oboe 8′
Clairon 4′ extension

Tremolo

Sub III-III
Super III-III
Aequal ab
Aux-III
AuxiliarwerkSeraphonflöte 8′
Seraphonflöte 4′ 4
Seraphonflöte 2′ 4
Aliquote II 2 2/3′
Solo Cornet V 8′ 5
Tromba magna 16′
Tromba episcopalis 8′ 6
Tromba magna 4′ 6
PedalMajorbass 32′
Untersatz 32′
Großbordun 32′ 7
Principalbass 16′
Violonbass 16′
Subbass 16′
Harmonikabass 16′
Zartbass 16′
Viol-Quinte 10 2/3′ 2
Octavbass 8′
Cello 8′ 2
Gemshornbass 8′
Bourdon 8′ 8 extension
Flötbass 4′
Contraposaune 32′
Posaune 16′ 9
Trompete 8′
Clarine 4′
Tromba magna 16′ 10
Tromba episcopalis 8′ 10
Tromba magna 4′ 10

I-Ped
II-Ped
III-Ped
Super II-Ped
Super III-Ped
Aux-Ped
1 borrowed from P Majorbass 32′ and HW Principal 16′
2 extension of P Violonbass 16′
3 borrowed from P Harmonikabass 16′ and SW Viola di Gamba 8′
4 extension of AW Seraphonflöte 8′
5 enables AW Seraphonflöte 8′, 4′, 2′ and AW Aliquote II 2 2/3′
6 extension of AW Tromba magna 16′
7 in the lowest octave acoustic borrowed from P Zartbass 16′, later P Zartbass 16′ one octave lower
8 borrowed from HW Bourdon 8′
9 extension of P Contraposaune 32′
10 borrowed from AW